Just in time for Christmas, the e-book for my debut novel based on Greek mythology, The Way Home, is less than a dollar! If you’d like to experience a swashbuckling adventure from a world of gods and magic, the e-book can be yours for the princely sum of 99 cents! On Kindle, iBooks, Kobo, and all the major online retailers at a reduced price until December 24, 2018.
Why has the price been set so low? The idea is to connect with more readers. It’ll help me with something I mentioned in a previous post:
I want to reach a community of readers who find something to enjoy with my work. There is great satisfaction in cheering somebody up who is having a bad day, and I think novels are the perfect form of escapism. And if readers get something more out of it, I’m glad.
I sincerely doubt the rewards will be financial, and that’s okay. Reducing the price for a week will help get my work into the hands of more readers—if the low price means I can give more people a story to enjoy over the holidays, then it’s worth it to me.
I have another cool thing to announce this week, but in the meantime, I hope you’ll join me for the journey. The Way Homeis available now for all devices. Grab for a bargain while you can!
Until next time,
PS. I’m offering a free short story exclusively to followers of my newsletter. Sign up here for your copy! Fear not, I won’t give away your email address and you can unsubscribe at any time.
I was really grateful that I could include illustrations in The Way Home, as Greek mythology lends itself to visual story-telling. The nine lavish illustrations enrich the story and give the book a unique character. I’m telling a tale of gods and monsters and magic… Why would I not want to see that fill the page? It’s the next best thing to having my book adapted for film. And given that The Way Home is intended for both YA and adult readers, it also felt right to include illustrations. In the age of the graphic novel, visual literacy is more important than ever. I didn’t want the illustrations to simply complement the story, but to be an essential part of it.
Every illustration functions like a panel from a comic book. Some things are better conveyed visually than through prose, which meant that I could be sparer with exposition. For example, I felt more comfortable leaping into the action with the fall of Troy because this was the first thing readers saw:
The image of the Trojan horse at night, wreathed in flames, instantly tells readers everything they need to know about where we are in the story. I didn’t need to tell the reader about the horse because it was all there to see. At my editor’s suggestion, I even ended up changing the first chapter because the illustration made some of the description redundant.
One of the most powerful images in the story is actually from a moment which isn’t conveyed through prose at all, but occurs between chapters.
The illustrator Matt Wolf is an old friend of mine, a Queensland-based artist. What I love about his work is that it evokes the numinous, the mysterious and the epic. Check out Matt’s Instagram here! He has a great ability to conjure other worlds with his artwork, and when I discovered that I would be able to include illustrations in the Ashes of Olympus trilogy, I instantly knew he was the one for the project. Matt took the idea of handling it like a comic book with gusto, creating vivid, dramatic and startling images which bring the story to life.
It was a pleasure to collaborate with Matt, who was easy going, professional, and transparent in his communications. I suspect I was more involved in the process of creating the illustrations than most authors. Initially I gave him the synopsis along with a set of extracts from scenes which I thought would make for good illustrations. I also provided notes on character appearances and photographic reference materials for him to use as a starting point.
In choosing the reference materials, I decided to go with artefacts from the Hellenistic or Classical ages of Greece, rather than stick too closely to the bronze age. Not historically accurate, perhaps, but instantly recognisable. If readers can recognise certain icons, it makes the story that much more relatable. However, I tried to do so in a manner sympathetic to the past. For example, in the illustration below the warriors are kitted out in hoplite armour with Corinthian helmets, but their swords are taken straight from the Myceneans. A case of gleeful anachronism! You can get away with these things when you are writing fantasy.
Aeneas’s appearance is modelled upon that of Alexander the Great. Alexander’s look brings to mind the idea of kingship in antiquity, partly because so many subsequent monarchs emulated him. But given that Alexander so consciously styled himself to look like a Homeric hero, I thought it was acceptable.
From there, I was happy to let Matt run with it. I made the conscious decision to give him the space to make his own decisions. It isn’t easy to hand over the story to another creative person and let them play, but its worthwhile. Matt did consult me and provided me with running updates, but for the most part I let him tell the story his own way. Sometimes his interpretation does differ from the way I picture things, and that is a good thing. Sometimes when you let other people into your world, the result is better than you could have possibly imagined. The illustrations turned out so well, in fact, that my publisher printed the book on white paper rather than cream to maximise their effect.
Matt, mate, if you’re reading this (and I know you are!!) I just want you to know from the bottom of my heart how grateful I am for all of your efforts. You helped to define the book and it stands out from the crowd because of you.
And if you would like Matt to illustrate your work, he is available for commissions.
I thought I would share the first chapter from my debut novel, The Way Home, Book I of the Ashes of Olympus trilogy. I hope you enjoy it!
Illustration by Matt Wolf
‘Aeneas, for the love of the gods, open up!’ cried Sergestos, pounding on the front door.
Aeneas ran to the door and wrenched it open. ‘Stop yelling, would you? My father will flay me if you wake him.’ He stopped short as he realised Sergestos’s round face was covered in soot and reeked of smoke. The scholar wore a studded baldric over his tunic. ‘What’s happened?’
‘It’s the Greeks, they’re here.’
Aeneas swore. ‘Let me get my gear. I’ll be at the main gate in—’
Sergestos shook his head. ‘Aeneas, they’re here. Inside the walls.’
Aeneas staggered. The sea god had built the walls himself. They stood over forty cubits tall. No mortal power could break them.
‘What? How can that be? They sailed home yesterday.’
Sergestos shrugged. ‘Something to do with that horse. Point is, half the city’s in flames.’
Aeneas rushed upstairs to see for himself, and Sergestos followed.
All his life Aeneas had loved to look down upon the city, to gaze at the twinkling lanterns in the streets. Now thatched rooftops were alight, the flames glaring like eyes in the night. The fire was spreading from the outer city, where the peasants lived. The screaming echoed heavenward. He blinked sweat out of his eyes, straining to peer past the flames. Far off, the city gate gaped like an open wound. Column after column of Greek warriors passed through, hungry to pillage the defenceless Troy. They were making a beeline toward the palace, marching up the main road. The bronze of their helmets and armour glistened in the burning.
What in Hades was going on? Somebody should have rung the warning bell. This wasn’t a battle. It was defeat, the end of everything. The thought twisted in his belly like a knife.
‘Daddy?’ Little Julos waddled out of his bedchamber at the foot of the stair, rubbing his eyes. His curls were tousled with sleep.
‘Hey, little man,’ said Aeneas. ‘Where’s Mummy?’
‘I’m here,’ said Kreusa. ‘Has something happened?’ She emerged from the bedchamber opposite Julos’s, tying her hair back with one hand. Looking up, she saw the embers spiralling into the sky. ‘The city,’ she breathed.
Sergestos swallowed. ‘Gods help us, our training never prepared us for this. Troy has fallen.’
Aeneas shook his head and jutted his jaw. ‘Not yet. Not if we save the king.’
Sergestos glanced from Kreusa to Aeneas. ‘Right. See you shortly, then.’ He clapped Aeneas on the shoulder and bolted down the stairs past Julos and out the door.
Tightening her lips, Kreusa beckoned Aeneas downstairs and into their bedchamber. ‘Julos, wait in your bedchamber, please. I won’t be long.’
‘It’ll be fine, son,’ said Aeneas.
Kreusa passed Aeneas his sword belt, her hands steady.
He buckled it to his side, put on his leather jerkin. Aeneas glanced up at his polished helmet and breastplate mounted on the wall. Father had given them to him for his eighteenth birthday last year. No self-respecting warrior would go into a fight without full armour, but there was no time.
Father gave a snore from down the hall.
‘I’ll get him up,’ Kreusa said, reading Aeneas’s mind. Julos padded into their bedchamber, slurping on his fingers, and she scooped him into her arms. ‘Go on. We’ll be fine.’ Kreusa looked him in the eye, resolute.
Aeneas had always loved Kreusa for her ability to take charge, right from their betrothal day. He reached for her and Julos.
Kreusa kissed him once, hard, on the mouth. Then she pushed him away gently. ‘There’ll be time later. You need to go,’ she whispered. ‘Please, love. Just go. And if you run into enemy gods, stay out of their way.’ Kreusa turned, but it didn’t hide the tear streaking down her cheek. She swept out of the chamber, holding their son tight. Julos peeked over her shoulder at Aeneas, eyes wide and green as his father’s.
Aeneas stared after them for a moment, then shook himself. Kreusa was right, he’d wasted enough time already. He snatched up his gear on his way out, found the weight of his spear a familiar comfort. The leathery smell of his ox-hide shield reassured him it was ready to protect.
Taking a deep breath, he passed over his doorstep.
My debut novel The Way Home has finally been released worldwide and is available in a variety of online stores as both an e-book and paperback. Cue the confetti and balloons! Nothing can beat the chemical high of knowing that after months and years of hard work, the story is finally out there for the public to read. This is a moment which I have looked forward to since I was a teenager and decided I wanted to be a writer. And after working on the manuscript so long, it is surreal to know that there is literally nothing I can do to make the book better. It’s out there now. However, I also know I would never have made it this far without the amazing support of many people. A great big gigantic thank-you for sticking with me, everybody. Your marvellous support and encouragement makes all the difference to me.
The paperback actually snuck onto Amazon a little early, which was a nice surprise. To my amazement, it actually started to attract sales before the official release date! But I decided not to announce it was ‘officially’ available until both the e-book and paperback were released, hoping that this would attract a rush of sales which would be looked upon favourably by the gods of the algorithm. To my delight (and relief) it paid off. I was watching anxiously—after all this preparation and planning, what if the whole thing flopped? So much of this industry depends on luck. However, it didn’t take long for the novel to reach the number one spot in its little niche on Amazon Australia. The highlight came last weekend, when my little book reached the top 50 books selling on Amazon overall. Not just in its niche, but for the store overall. I documented its steady rise through the charts the only way I knew how… with terrible cartoons I drew using Paint!
Just assume that cartoon-me has feinted in that last pic and is thus out of shot.
It was such an honour to see my book ranked alongside those of Rick Riordan, even for a moment. For me, as an unknown Australian author published by a small press, that was the best feeling in the world.
I was overwhelmed by the amount of support I received via social media during the release week—I had to switch off my phone at work because it kept pinging through the day. People liked, shared, retweeted, and declared they had bought the book. I was taken aback by the warmth shown by not only friends and family, but also the classics community, fellow Australian authors, teachers and librarians. And, of course, listeners of The Bestseller Experiment! I have done a few podcasts with them over the last few months, and I’m profusely grateful for the way listeners took the book into their hearts. One of my goals throughout this process has always been to reach a community of readers, and I’m glad to have achieved it.
Then came the big moment when my copies (30 of them!) arrived. Believe it or not, this was the first time I had held the book in my hands. It’s a scintillating sensation—seeing the cover on the screen of my laptop could never convey the richness of the red and gold cover. And I cannot get over how handsome the illustrations are by artist Matt Wolf!
And so, what started as my nerdy little ambition to adapt an ancient epic has turned out to be one of the greatest moments of my life. And I’m so very grateful. It’s time to get cracking on the next book, of course, and I have a few other projects in the pipeline. I shall admit that I’m tired and could probably use a rest. But still elated and so ready for the next step. As always, I hope you’ll join me for the journey.
PS. I’m offering a preview and a special short story exclusively to followers of my newsletter. Sign up here for your free copy to read on a Kindle or any other e-reader! Fear not, I won’t give away your email address and you can unsubscribe at any time.