I just thought I would write a quick note to say thank-you to everybody who has supported me through 2018—thanks to you, this has honestly been one of the best years of my life. This was the year in which I published my debut novel, The Way Home. It managed to reach #1 on several charts.
As a special thank-you, the e-book of The Way Home is available for a mere 99 cents at online retailers worldwide until 24 December 2018.
The novel would not have succeeded without you—when the book was released, I had no idea whether it would find any readers, but people really took the story into their hearts. I am in no danger of becoming the next J.K. Rowling, but at least once a week I get a message from somebody letting me know how much they enjoyed the book. That means the world to me. The Australian publishing industry is small but thriving, and I’m glad to be a small but thriving part of it.
Words cannot express how much I appreciate everybody who has taken the time to review The Way Home. Authors basically live or die on their reviews, and writing an honest review is the best thing you can do to support an author.
I’m particularly grateful to the hosts of my favourite writing podcast The Bestseller Experiment, who were instrumental in helping the novel succeed. Over the past six months or so hardly a week went by in which I didn’t hear my name mentioned on the show. At the invitation of friend and fellow author Mark Stay I ended up recording several episodes about craft for the show, and just recently I was a featured guest on the show. I chatted with Mark about The Way Home, epic story-telling, ancient myths, YA literature, Animorphs, small presses, the Australian publishing industry, koalas with boundary issues, and the horror that is Thomas the Tank Engine… You can check it out here.
I’m really, really looking forward to 2019, which will see the release of my series of Tooth and Blade novellas and hopefully the second Ashes of Olympus book.
A few weeks ago I promised that I would share my experience of meeting legendary author Terry Brooks at Supanova on the Gold Coast. Well, here we go! Terry gave me some great advice which I’m sure will stand me in good stead as an author. It was an important moment for me and I’m thrilled to share it with you.
I was full of nerves as I approached the table. Brooks is among the first big-name fantasy authors after Tolkien. People mention him in the same breath as Ursula K LeGuin and Lloyd Alexander. He’s written about 40 books. His Shannara series has been adapted for TV and his Magic Kingdom series has been optioned for a film by Warner Bros. Heck, he worked with George Lucas himself on the adaptation of The Phantom Menace and was partly responsible for the lore surrounding the Jedi and Sith. His writing had a big impact on me as a teen. I was meeting one of my heroes and a veteran of the industry, but I decided to be polite and not act like a fanboy. He probably gets that all the time.
He and his wife Judine were both at the table. The tension in my chest dissipated as they smiled and waved.
‘Hi, there!’ said Terry.
‘Hello! It’s great to meet you both,’ I said.
‘What’s your name?’
‘Julian.’
‘What have we got here, Julian?’ Terry took my book—I’d brought his memoir on writing. He and Judine exchanged a glance. ‘Sometimes the Magic Works?’
‘You’re the first person to ask Terry to sign this—for this trip, anyway,’ said Judine.
‘Oh, really?’ I said. ‘It’s the first book I ever read about writing, followed by Stephen King’s.’
Terry’s eyes twinkled. ‘The thing about me and Stephen is that we’re polar opposites. There’s an important difference between us, though.’ He leaned close. ‘I’m right, and he’s wrong.’
I laughed.
‘Are you a writer?’ he said.
‘Oh, well, yes actually…’ I hadn’t intended to give him a spiel but thought it would be rude not to answer properly. I rummaged around in my bag and pulled out one of my promotional post cards.
‘My first novel is coming out later this year. It’s an historical fantasy based on Greek myths.’
‘Oh really?’ he said. Maybe he was just being polite, but he seemed genuinely interested. ‘Is it just coming out in Australia, or will it be in the States too?’
‘It should be available world-wide.’
‘Oh, great! I’ll keep an eye out for it. But what you should really do, and I’m sure you’re doing it, is read lots of different books about writing and come up with your own ideas.’
‘Oh, yeah,’ I said. ‘I try and make the most of every learning opportunity.’
‘Good on you!’
I noticed there was a chapbook on the table. Street Freaks? What was this book? I had never heard of it.
He tracked my gaze and his eyes lit up. ‘Street Freaks! Now, this is my last chapbook, but I’ll let you have it if you prove you’re worthy.’
‘Oh, um, okay.’
He opened the chapbook to an illustration. ‘What do you notice about it?’
I blinked. It featured a young man climbing out a skyscraper window, a futuristic cityscape in the background. ‘It’s kind of similar to the poster for Ready Player One?’
‘Well, yes, it is. It isn’t gaming lit though. But what else do you notice about it? It’s science fiction!’
‘Aha! You’ve always wanted to write a science fiction novel, right?’
He nodded. ‘Right! I wanted to try it out. And I wanted to know what it was like to have total creative freedom and oversee every aspect of the publication process. The edits, design, marketing, the whole deal. It’s coming out through a small press later this year.’
‘Oh wow,’ I said. ‘I really admire the fact that an author as advanced in his career as you are is trying something different.’
He grinned and grabbed my shoulder. ‘I’ll give you some advice that you should keep in mind throughout your career as an author. If you have an idea, and it scares you because it’s different, that means you should go for it. Because you never want to lose that creative energy, that spark, and if you just do the same thing over and over, it’ll die out.’
‘That’s good advice. Thank-you.’ Oh what the hell, I can be a little bit of a fanboy… ‘Look, um, it’s such an honour to meet you. I read The Sword of Shannara when I was fifteen, and I loved your books as a kid.’
Judine smiled. ‘That couldn’t have been that long ago, surely?’
‘Oh,’ I say. ‘Well, half a lifetime ago.’
Terry’s eyebrows raised. ‘No! Really? You are not in your thirties?’
I shrug. ‘I, ah, hope it means I’ll age like Clooney.’
They chuckled, and he signed my book. ‘All right, you’ve proven yourself. The chapbook’s yours, but can you do me a favour?’
‘Sure.’
‘I’d like you to read it, and let people know what you think of it—on your blog, your Facebook page, whatever you got. Will you do that for me?’
‘Absolutely.’
And then I stammered my thanks and quietly slipped away from the table so he could talk to the next reader.
I read the first couple of chapters of Street Freaks that night. It’s a YA thriller set in a dystopian cyberpunk future. Here’s the blurb!
It begins with a dire call-right before his father disappears and his skyscraper home’s doors explode inward. It is the kind of thrilling futuristic story only Terry Brooks can tell.
“Go into the Red Zone. Go to Street Freaks,” his father directs Ashton Collins before the vid feed goes suddenly silent. The Red Zone is the dangerous heart of mega-city Los Angeles; it is a world Ash is forbidden from and one he knows little about. But if he can find Street Freaks, the strangest of aid awaits—human and barely human alike. As Ash is hunted, he must unravel the mystery left behind by his father and discover his role in this new world.
The writing whizzes like a bullet from a gun. It’s a definite departure for Terry Brooks, who normally eases the reader into the story. This one grabs you and doesn’t let you go. It sets up a mystery which hooks you with the first line. In spare prose, he conjures the setting of an LA whose air is poison and where androids hunt down the innocent. It promises to be a really fun read. It comes out in October 2018 and I can’t wait to see what happens next—I really can’t pay a higher compliment to a story-teller.
P.S. Sign up to my free monthly newsletter for news and previews, as well as an exclusive prologue chapter to the Ashes of Olympus series! In the meantime, check out the image below for a sneak peak at one of the illustrations by Matt Wolf… The Way Home will be released July 31, 2018.
I’m a bit on the fence about new year’s resolutions. They never seem to work out, because they tend to be unrealistic. At the same time I’m also a big believer in having a clear sense of the path I’m on, so I do make concrete plans for the year ahead.
In terms of my writing career, my ultimate goal is of course to reach the point where I can write full-time. But it takes a lot of work to get there, and that’s what this year is all about. So here is my list of writing and research priorities for the new year!
On the research front, I’m teaming up with classical archaeologist Dr Amelia Brown to co-write a really exciting academic book! Our project will feature the first translations of the early sources associated with St. Nicholas of Myra, along with a commentary. Yes, that St. Nick! For me, this all started when I went to do some research for an historical novel about St Nicholas, and then I was shocked to discover that most of the sources for his life hadn’t been translated from Greek. This is the first time research for my historical fiction has led me to produce original academic research. I’m looking forward to sharing what we discover.
In the world of commercial fiction, the Ashes of Olympus trilogy kicks off mid-2018 with the first instalment, The Way Home. I am gearing up to work with my editor and market the book. I’ve already contacted a few bookstores in my local area, and they seem interested in stocking it. Yay, Dymocks! Yay, indie bookstores! You guys are the best. I’ve also devised a pretty thorough plan to promote the book online and have set aside a budget for advertising and a book launch. Oh, the book launch! I’m looking forward to organising that, it’ll be so much fun. You’re all invited, of course! The more the merrier! And though I will be attending a few cons and such to promote it face-to-face, the bulk of the promo will take place online. Makes sense, as I’m working with a digital-first publisher. The strength of the story is probably the biggest factor in attracting readers, or so I’d like to think. People fall in love with your characters and your world. That’s why one of the keys to promoting the book online is a prequel short story, which I intend to release for free to all the major online retailers via Draft2Digital. Keep your eyes peeled!
I’m also going to start seeking a publisher for The Black Unicorn, my middle-grade fantasy in which Celtic myth meets steampunk. I had initially intended to publish it independently, but I’m taking the advice of a few people in the industry and seeking a traditional publisher before I go down that path. Finding readers is an uphill battle to begin with for an indie author, and just about impossible for children’s books. The market for children’s ebooks just doesn’t seem to exist. I’m really excited to start the next leg of my publication journey. And I have a feeling won’t be quite as tough to get published this time, because I have a foot in the door. I’m just about finished the first draft, which I have been serialising via Wattpad. The serial has been on hiatus over the Christmas period, but I look forward to continuing the updates next weekend. I’ve written loads which I haven’t yet shared. Once the serialisation is complete, I’ll probably leave it up for a month or so before taking it down and giving it a good polish.
But mostly, I am really looking forward to getting a copy printed and bound and giving it to my son for his birthday. Without him, the story wouldn’t exist. Even if it doesn’t get published, it will all be worthwhile to see the look on his face when he unwraps it.
After that, it’s time to get cracking on the next Ashes of Olympus, whose working title is The Ivory Gate. Guess what? I have about 60,000 words down on it already, so that will largely be a matter of refining what I’ve already got. I’ve got my work cut out for me. I’m looking forward to making my story the best it can be. After June, that’s probably where the bulk of the writerly work will go.
There are also a couple of projects which have been in the works for a long time, but which I haven’t discussed much online. Probably the most exciting for me is The Ravenglass Adventures, an audio drama series I’m co-writing with my friend Chris Spensley. It’s a pulpy sci-fi serial about a teenage space archaeologist named Philia Ravenglass. After some very helpful and encouraging notes from an experienced screenwriter, we’re doing a few tweaks to the pilot script. After that, we plan to record later in the year and release it for free as a podcast. We have assembled an amazing cast, and I can’t wait to share the story with you. Post-production will be a lengthy process, and we’re doing this in our spare time, so I cannot say yet when the show will be released, but you’ll be the first to know when it becomes available.
That’s about it, as far as the major projects go. At least, that’s as much as I can share for now. I do have a couple of little surprises up my sleeve… Short stories and interactive fiction and the like. Whew! It’s going to be a great year. It does seem like a lot, but much of it is bringing work to completion which has been in the pipeline for a while. Stay tuned.
I have something very exciting to share with you. You know that middle-grade novel I’ve been writing for my son? Well, I had a fit of madness/daring/recklessness and decided to serialise the work in progress online via Wattpad with a view towards indie publishing next year!
Serialising the work in progress will help to keep me motivated to finish the draft by the end of the year. I have a lot of other writing projects to tackle in 2018, one of which already has a publication deal — more on that later! But I’d like to have this one completed by Christmas. I’ve got two thirds of a draft, but I think I’m more likely to work faster if I’m laying track in front of a moving train. Also, I gain energy from having people read my work and especially love receiving useful feedback. Is it a bit scary to share the unfinished draft with the world? Absolutely. But Wattpad is the ideal medium for sharing work in progress, as nobody expects it to be in its final, polished state. Also, Wattpad is a great way to connect with a younger generation of readers. Better than a blog. Of course, it’ll be sharing space with a lot of fanfic, but that’s cool. If it’s okay for Margaret Atwood, it’s okay for me.
After the draft is finished, the manuscript will go through a few rounds of professional editing before I formally release it. I’ve learned a lot from indie publishing guru Susan K. Quinn over the last twelve months. The biggest lesson is that an author needs to be clear as to whether they are writing/publishing for love or money. In the case of The Black Unicorn, I’m definitely writing for love. My main motivation is to produce a thrilling story for my kids. This is a very personal project. And this will also be a learning experience for me. I’ve long been curious about indie publishing as a vehicle to empower authors, and I’ve spent a lot of time researching the ins and outs of the indie world. Still, there’s only so much you can learn from research. Sometimes you need to experience something before you really get it. I’m not necessarily trying to make money from this first novel, but to facilitate my personal growth as an author. It’s a new challenge, and one which I embrace whole-heartedly.
It’s also a wee bit terrifying, but fortune favours the bold, right?
This doesn’t mean I’m giving up on traditional publishing, either. I’m aiming to be a ‘hybrid’ author with a foot in both the indie and traditional publishing camps. Sometimes authors go indie out of frustration or anger with the publishing industry. That’s not me. How can I be mad at an industry that does so much good for the world? An industry is made of people, after all, and publishing is full of people who dedicate their lives to books. That said, the industry as a whole is going through a period of disruption like never before. It is likely that in future authors will need to demonstrate they can achieve indie success before the traditional industry will take them seriously. Even in the world of traditional publishing, authors are increasingly being relied upon to promote their own work. So I’d like to think that I can apply whatever lessons I learn in the indie world to the traditional publishing world, if and when the time comes. Indie and trad can play complementary roles, can’t they?
I’ll make an official announcement about the Wattpad project over the next couple of days. In the meantime, if you’d like a sneak-peak at the amazing front cover, pop on over to my author page on Facebook…
I trust we all made it through September intact? It was another frantic month for me, but I accomplished a few things I’m proud of.
A few months ago I mentioned that I had co-written an article on mythography with two amazing co-authors, Dr Greta Hawes and Prof Minerva Alganza Roldán. Guess what? The article passed peer review with only a few minor amendments, and will be included in Polymnia this December. Keep your eyes peeled for: “The reception history of Palaephatus 1 (On the Centaurs) in Ancient and Byzantine texts.” I’m really excited by the opportunity to share some cool things my co-authors and I have discovered. We are now among the select few who can honestly proclaim themselves experts regarding the gastronomic habits of Centaurs. And guess what? The best bit is that it’s an open access journal, so it won’t be behind a paywall. Huzzah!
I got a few other things done. During my holidays I managed to bang out more on the middle-grade novel I’m working on with my seven-year-old. Or rather, I’m working on it, and he passes me notes like some Hollywood producer. It’s getting harder as it goes along, to be honest. He was so enthusiastic early on, and we built up great creative energy as we constructed a world together and populated it with characters and creatures. It all started when he wanted a sword-and-sorcery style adventure which featured automatons and submarines. Why not? From there I built upon my knowledge of medieval folklore and combined it with my interest in Roman Britain. The result is basically Celtic myth meets steampunk, with bonus talking animals. It’s absolutely as bonkers as it sounds, and I’m loving the journey. More than that, I loved the experience of creating a world together and reading him a chapter every second night.
Problem is, he was under the impression the whole book would be written in a day or two. Three, tops. And then it would be in the shops a couple of weeks later. Wouldn’t that be nice? Nothing I said would convince him otherwise. When he finally realised how long it takes to write a novel, he decided it would be much more fun to create his own comic book about surviving on a deserted island. In the meantime, he’s moved onto other bedtime stories (Mission Fox! Beast Quest! Yay!) and I’ve lost my deadline. Damn, blast, botheration! I was counting on that deadline. It stopped me dithering over the chapters, as I had to produce one every two days. That’s okay. He still wants me to finish the story and read it to him in full when it’s done. He’s still excited about it, and I think he appreciates me writing a story for him. I need to give him the room he needs to become his own creative person.
In the meantime, the story’s become more of a hard slog. I think that’s pretty normal for a writer, isn’t it? I’m two thirds of the way through draft 1, and I want it out of the way by Christmas. There. That’ll be my deadline. It’ll have to do.
I also spent a bit of my holiday reading the ARC of Back to Reality by Mark Stay and Mark Oliver. I’ve been listening to their podcast, The Bestseller Experiment, for a long time now, learning along with the two Marks as they set out to write, publish and market their novel in just a year. The podcast itself is pure gold—it’s like getting free admission to a writer’s workshop every single week as they interview various authors (both indie and traditional) and people who work in different aspects of the publishing industry. I’ll admit that I had some trepidation as I opened the file on my e-reader. What if, after looking forward to the story for so long, it turned out to be a complete car crash? I needn’t have worried. The book is good. Really bloody good. I’ll post a full review when it’s released on October 16. For now, I always gain a sense of accomplishment from helping out fellow authors. We’re all in this together.
It was another busy month in which I had to remind myself that reality is ultimately more important than fiction. I’ve had to deal with some health-related issues. They haven’t stopped me, though. I’ve been productive, but not as much as I’d like to be. No point wasting time berating myself about that. If you don’t look after your health and that of your family, then what’s the point?
That said, the work doesn’t stop. I’m about at the halfway mark on this children’s novel I’m co-writing with my seven-year-old. Given this project has to fit around my day job and looking after two sick kids, I’m happy with that. The manuscript is continually growing and developing, like him. He gets so excited at bedtime when I read to him from the book. A few nights ago, though, I had to tell him that I only had half a chapter to read him, and I thought he’d be upset. ‘It’s okay, Dad. I want to give you time to write more, so I’ll read to you from one of my books.’ What a great kid! I’m really proud of him. I’d like to do a blog post exploring the process of working together in greater depth.
What else? One of my close writer friends read over the draft of one of my earlier novels, and gave me some very encouraging feedback. It’ll be good to revisit that project, but for now it needs a little time to gestate. I in turn had the privilege of reading a manuscript for a member of my extended family. Being invited to read an unpublished manuscript is really special, isn’t it?
And finally, I made a couple of really important decisions about where I’m headed as a writer. More than anything, I want to write for a living. That doesn’t mean just sitting around waiting for the ‘right opportunity’ to come along like a kid with a band. It means making smart choices, forward planning and being willing to learn from mistakes. Over the last twelve months or so I’ve established a solid author platform. Now it’s time to start building on it. I’ll share more in the not too distant future.
Sorry I’m a little late with this update. It’s mostly because things have been going really well on the writing front. Hooray!
The upper MG historical fantasy I’m working on is growing little by little. It’s in good shape thus far. Marching ever forward and still on track to complete the manuscript by the end of the year. The story is set in a world very much rooted in Norse myth. I’m half-tempted to brew my own mead for, um, research.
In the meantime, a new and unexpected project has come up. My oldest son (aged 7) asked me if we could write a story together. He is really creative and I want to nurture that side of him, so of course I said yes. Together we brainstormed some ideas for a junior fantasy novel aimed at his age range. Think of Emily Rodda’s Rowan of Rin or Kate Forsyth’s Impossible Quest, and you’ll have a good idea of what I’m aiming at. The notion is that he comes up with ideas for the characters and I basically run with them. I read a chapter to him every second night and get his feedback.
Egads, what a challenge! Collaborating on an extended project with a 7-year-old is interesting in itself. But you know what? I love the experience of building a story together. I don’t even care whether it leads to publication, it’s bringing us closer. When it’s finished, he wants to print copies for all the kids in his class and give it to them for Christmas. As for the story itself, I’m in the honeymoon period. I’m pantsing it with only the vaguest idea where the story is going, which I’ve never really done before. And having the deadline of completing a chapter and have it ready to read aloud every two nights certainly drives the story forward. Reading it as a serialised bedtime story also helps me to resist the urge to go back and edit earlier chapters, otherwise it’ll make no sense to him. Basically I’m laying track in front of a moving train. There are far worse ways to tell stories. I’ve never written for this age range before, and I’m learning a lot of new techniques. All in all, it’s good preparation for the day when I transition from ‘aspiring’ to ‘professional.’
As a matter of fact, I should probably get back to it.
One of my old friends passed away a few weeks ago. Dealing with this ended up being a large focus of my month. I had planned to attend a local writer’s event, but the funeral was organised for that afternoon. Theoretically, I guess I could have attended the event in the morning and then gone to the funeral, but I thought it was better to focus my energies on helping out my friend’s family that day. Then I delivered a eulogy at the funeral. That’s one of life’s less pleasant story-telling exercises, but really vital. Stories can help people heal. The important thing, as always, is to speak from the heart and make it real. This person was an important character in your life, so you want it to be as genuine as possible. A few people came up to me afterward and said how much they appreciated my speech, so I guess I did okay.
I decided to take a week off from blogging after that. Sorry about that. I needed some head-space.
In the end, finances prevented me from attending this year’s CYA Conference in Brisbane, but I’m really thrilled to see that some of my writer friends have experienced such success this year in the pitch sessions and learned so much from the panellists. And gosh, I’m particularly happy that somebody to whom I gave some encouragement at last year’s conference did so well in the competition! Well done to everybody, but particular congratulations go to the organisers for making this conference as special as it is.
Things are steaming ahead on my current novel. It’s going in a rather different direction to what I initially envisioned, because the characters aren’t quite who I thought they were. Initially I had intended to retell the Anglo-Saxon epic Beowulf from the viewpoint of a teenage girl. Beowulf was going to be a love interest. However, after spending about 10,000 words developing the female protagonist, I realised it would be a real disservice to her if Beowulf came sweeping in. She doesn’t need a male love interest to be a well-defined character. If anything, adding a male protagonist was in this instance going to undermine her characterisation by robbing her of agency. The solution, of course, is to remove the Beowulf framework and let the story stand on its own. It’s inspired by Beowulf, but is no longer an adaptation. The novel is an original historical fantasy whose heroine is a Viking girl. Stepping away from the canonical text is absolutely exhilarating. It has given me the freedom to create something wholly new, and to take my characters to places they never could have otherwise.
Meanwhile, my amazing co-authors and I are pretty much ready to submit our article for peer review. I’ll keep you posted on that one. I also got some good writerly news last week, which could lead to some better news in the future… But that’s all I’ll say for now.
Well, we made it to the end of May. Queensland is a bit like Westeros at the moment: winter is coming, but it never quite gets here. Remember a while ago I asked readers’ opinions as to whether I should keep up the weekly updates on progress? Well, after thinking about the feedback I got, as well as my current schedule of deadlines, I opted for a monthly update.
On the academic front, my co-authors and I have put together a complete draft of the article we’re working on. We are well on track to get it out this month. Mythography is an amazing, highly technical area of scholarship which requires expertise in a range of disciplines. It’s also a lot of fun because you discover the weirdest and most wonderful things! I don’t know any other area where you’re called upon to consider the reproductive or dietary habits of Centaurs. I wonder if some of this detail might actually work its way into a novel someday. That said, typing in Greek is pretty much the opposite of fun. My poor word processor hates me right now.
Aside from that, I’ve finally figured out a fiction writing routine that seems to work. Huzzah! When you sit in front of your keyboard and your aim is to bang out a novel, that can be pretty daunting. The challenge seems insurmountable. Know why? Because it is! Especially when you’re working on an academic career and working full-time and raising a young family. Even among full-time writers, very few are capable of producing a novel quickly. Those who pull it off may very well be in league with the devil. The trick is to focus on one chapter at a time, one scene at a time. I’ve also set myself a weekly task—no matter what, I need to do one chapter per week, minimum, with a set word limit. This method of ‘chunking’ the tasks makes the weekly goal is very achievable. My eyes are still on the prize of having a finished novel, but week to week I’m no longer agonising about my productivity. Which, ironically, drives up productivity. Chunking is good for the story too. The pace remains high. Without room to waffle, every scene counts. It also provides a sense of rhythm. Things have been rocking and rolling since I adopted this method, and I’ve got a substantial portion of the manuscript down.
I’ve also been doing a lot of research into the publishing industry and where it’s headed. Listening to podcasts, talking to other authors about their experiences. In particular, I’ve been investigating the world of indie publishing. For now, my plan is still to seek a traditional publisher for my trilogy based on the Aeneid. But I’m also open to the possibility of publishing independently. No matter which way I go, the idea is to get better as an author. Connecting with even a small cohort of readers would help me to grow. And getting a behind the scenes look into the industry would be an amazing asset no matter what. Commercial writers can also learn a lot from indie authors, given that even in commercial fiction so much of the onus for marketing falls on the author.
The world is changing, isn’t it? We may be heading toward a time when writers need to show they’ve got the chops to make it on their own before a publisher will pick them up—especially when I see that Macmillan—one of the Big Five—has acquired the ebook distributor Pronoun.
Anyway. Work is progressing on the script for the audio drama, bit by bit. Writing for radio is really peculiar, but I’m enjoying the challenge. Will tell you more about that when it’s ready to go into production.
Anyway. I’ve signed up for a local authors’ event in a couple of weeks, which is thrilling. If funds allow it, I’m heading to the CYA conference in Brisbane next month. Really looking forward to meeting up with some like-minded people. Maybe I’ll see you there?
