It was a tumultuous month, to say the least.
One of my old friends passed away a few weeks ago. Dealing with this ended up being a large focus of my month. I had planned to attend a local writer’s event, but the funeral was organised for that afternoon. Theoretically, I guess I could have attended the event in the morning and then gone to the funeral, but I thought it was better to focus my energies on helping out my friend’s family that day. Then I delivered a eulogy at the funeral. That’s one of life’s less pleasant story-telling exercises, but really vital. Stories can help people heal. The important thing, as always, is to speak from the heart and make it real. This person was an important character in your life, so you want it to be as genuine as possible. A few people came up to me afterward and said how much they appreciated my speech, so I guess I did okay.
I decided to take a week off from blogging after that. Sorry about that. I needed some head-space.
In the end, finances prevented me from attending this year’s CYA Conference in Brisbane, but I’m really thrilled to see that some of my writer friends have experienced such success this year in the pitch sessions and learned so much from the panellists. And gosh, I’m particularly happy that somebody to whom I gave some encouragement at last year’s conference did so well in the competition! Well done to everybody, but particular congratulations go to the organisers for making this conference as special as it is.
Things are steaming ahead on my current novel. It’s going in a rather different direction to what I initially envisioned, because the characters aren’t quite who I thought they were. Initially I had intended to retell the Anglo-Saxon epic Beowulf from the viewpoint of a teenage girl. Beowulf was going to be a love interest. However, after spending about 10,000 words developing the female protagonist, I realised it would be a real disservice to her if Beowulf came sweeping in. She doesn’t need a male love interest to be a well-defined character. If anything, adding a male protagonist was in this instance going to undermine her characterisation by robbing her of agency. The solution, of course, is to remove the Beowulf framework and let the story stand on its own. It’s inspired by Beowulf, but is no longer an adaptation. The novel is an original historical fantasy whose heroine is a Viking girl. Stepping away from the canonical text is absolutely exhilarating. It has given me the freedom to create something wholly new, and to take my characters to places they never could have otherwise.
Meanwhile, my amazing co-authors and I are pretty much ready to submit our article for peer review. I’ll keep you posted on that one. I also got some good writerly news last week, which could lead to some better news in the future… But that’s all I’ll say for now.
Until next time,