What I strive for as an author

Salvete, readers!

As publication day of Ashes of Olympus: The Way Home draws closer, I find myself reflecting on what I’m aiming for in terms of my career as an author. I’ve had a few folks tell me I’m going to be the next J.K. Rowling, and they are looking forward to the (hypothetical) movie of The Way Home. While I recognise and appreciate the compliment, it always makes me a little uncomfortable. I love the Harry Potter books and admire J.K. Rowling, but I don’t want to be her. It’s much better to be me. At this point in my career, I don’t think it’s realistic to aspire to be a bestseller like Rowling. Very few authors become superstars like that. And to be honest, I can’t think of anything worse than having that level of ubiquity.

So what am I striving for, at this point? Much simpler, more achievable things.

I want to reach a community of readers who find something to enjoy with my work. There is great satisfaction in cheering somebody up who is having a bad day, and I think novels are the perfect form of escapism. And if readers get something more out of it, I’m glad.

I want to be part of a community of writers. Acceptance by peers and being able to give back something in return means the world to me. I cherish my friendships with fellow writers, published and not. These people make me a better writer. Functional creative relationships are precious gems.

I strive to be professional. I want to develop a reputation in the industry as a versatile, disciplined author who meets deadlines and works well with others. Professionalism is an under-valued attribute among aspiring authors. Admittedly I’m still learning the ropes as an early-career author, but one day I’d like to reach a level of mastery where I can pass on what I’ve learned.

And finally, I’m working hard to make a living as an author. Yes, I know, this is going to be the toughest of the lot. However, I made the decision long ago to adopt the mindset of a small business owner rather than a hobbyist. Making the business profitable will be a multi-phase project which may take years. That’s okay. I’m in it for the long haul. For the time being, any money I make from The Way Home will be invested in the next book, growing the business until it becomes a reliable supplement to my day job. Then eventually my writing will become the main source of income. I still aim to be a hybrid author with a foot in both the indie and the trad camps.

If I can achieve these things, I’ll be satisfied. However, all of these goals are contingent upon me being prolific, so I’d better get back to it.

Oh, and big news! Next week I’m going to share the cover of Ashes of Olympus: The Way Home. I’m sharing it first with my newsletter subscribers. If you’d like a sneak peek, then please feel free to subscribe.

Until next time,

Valete

Fantasy Maps

Salvete readers and happy Easter!

I’ve been in a very visual space this week. Along with my publisher, I’ve been looking at concepts for the cover of my upcoming novel, Ashes of Olympus: The Way Home. It should be finalised very shortly and I can’t wait to share it. All I can really tell you for now is that the cover will be red and gold, Gryffindor colours! Just as exciting, The Way Home will feature nine internal illustrations as well as an incredible map. I’ll share more on the internal illustrations as we get closer to release– here’s a teaser if you can’t wait! But for today’s blog post let’s focus on the map and the thinking that went into it.

I love maps in books. Done properly, they can evoke a sense of space and place, making the story that much more real to readers. It’s great fun to follow your heroes’ journey on the map, and sometimes it can enrich the experience of the author’s world. A map can convey a sense of politics far more effectively than mounds of exposition. The most effective maps, I think, are those which are created to be in-world, because they become a form of world-building. A good map draws you into the story before you’ve even read a word.

However, I’ve also read many fantasy novels where the map actually detracted from the experience of the story. I think if your reader can’t make sense of the story without the map, something has gone terribly wrong. And there are times when the map is included seemingly out of a sense of obligation. They’ve become a staple of fantasy. If you’ve got a map for the sake of having a map, it becomes grating. There are times also when they are nothing but a gigantic spoiler. If every place your characters visit is included on the map, it destroys a sense of discovery. Even worse, if they feel like something out of our world, maps can yank the reader out of the story before you’ve even started. Maps rendered on a computer are too painstakingly accurate for a medieval fantasy, for example. And having a scale in modern miles or kilometres is equally problematic– leaving aside the fact these measures might not exist in your world, the last thing you want is to take away a sense of wonder by having everything precisely quantified. The key is to create the map in a very deliberate way, keeping in mind that it’s a form of story-telling too.

It was very important for me that the Ashes of Olympus trilogy have a map, for a number of reasons. It’s an historical fantasy which uses ancient Greek place names, eg Sikilia for Sicily and Hesperia for Italy. It helps readers connect more if have that visual link between past and present. And to evoke the sense of the past, I wanted it in an antiquarian style, with ships and sea monsters in the water. I did make a couple of concessions to anachronism in drawing up the brief. It wasn’t entirely possible to have the map come from within the universe because the majority of my readers probably don’t read Greek. And I thought it would be confusing to present the slightly jumbled geography we find in Homer and Virgil. Artist Linc Morse rose to the occasion with an exquisitely crafted design. Check it out below!

Map of Middle Sea

 

I particularly love the little Scylla! Ashes of Olympus: The Way Home will be available in July 2018. Sign up to my free monthly newsletter for news and previews, as well as an exclusive prologue chapter to the Ashes of Olympus series!

Until next time,

Valete

 

 

Free short story: The Electric Touch

Salvete, readers!

I have been hard at work for a few weeks on a short story, a prequel to Ashes of Olympus, my historical fantasy novel which comes out in July. I finished the draft this very morning and will send it to my publisher soon. Working on the short story got me looking through my old files in which I dabbled with the genre, and I was startled to discover a YA science fiction story I had completely forgotten. I thought I would share it here. If you enjoy the work, please consider signing up to my newsletter. 

THE ELECTRIC TOUCH

You never forget your first love.

She was called Maya—naming your children after American provinces was fashionable, once upon a time. She had freckles on her nose, wore a beret sometimes, and would whistle a tune as we walked hand-in-hand. I suppose it’s Maya’s eyes I remember most. They would glow like St. Elmo’s fire when she smiled. They were meant to do that, of course. She’d designed them herself.

In my day, they still called people like Maya cyborgs. Such a cold, clinical name for something so beautiful! And people like me? My parents took me to a psychiatrist, and ze diagnosed me as a bionsexual. It’s strange to think the word doesn’t carry a stigma any more, but it had them worried. They weren’t the only ones. Somehow it was everyone’s business that the organic-looking kid wanted to be with the ‘borg. To most people, me and Maya were just a dirty pair of sparkers.

Maya didn’t care; her parents were OK with it. Mine weren’t.

Dad almost had a fit when I first brought Maya to our place for afternoon tea. He stormed out, gnashing his teeth. Tata, who was so much gentler, ran after him. That night, after Maya had gone home, I tried to talk about it with them.

‘Dad, it’s no different from when you met Tata—G’pa didn’t like that, either. But you showed him—you’re married now and everything!’

But that didn’t help. Dad didn’t much like talking about his father.

‘The Church forbids it, I tell you! The Imperatrix Sacra will never, ever forgive you!’ he said.

As I sobbed into my pillow, Tata stroked my hair.

‘Why is Dad so angry?’ I asked.

‘That girl has corrupted her flesh into the likeness of a man-made object,’ said Tata.

‘But Tata, I love her.’

‘I know you think you love her. And I’m sure she’s a very nice girl, underneath all the tech. But her very soul is corrupted, my honey. Your daddy’s right to be upset.’

‘But… I don’t see how someone like Maya—’

‘It’s complicated. You’ll understand when you’re older. Anyway, there’s still plenty of time for love. You’re barely seventeen after all. Don’t be so quick to decide. After all, this could just be a phase. A lot of kids go through a curious stage. You’ll grow out of this someday, you’ll see.’

But I didn’t. I couldn’t.

I wanted to be what my parents wanted me to be. It would have saved me a lot of mobbing on the cybernet. Great G’ma would just tut and tell me not to worry about ‘trolls,’ whatever that meant. But it’s hard not to worry when shimmering holographic avatars mob you as soon as you log into school.

‘Hey, lover-borg,’ they’d hoot as my avatar entered the library-space. Sometimes they’d scrawl the words ‘sparker slut’ on Maya’s Socialspace Wall when the administrative mainframe wasn’t looking. No-one was ever as brave as Maya.

To this day, I still don’t understand why they were so afraid of us: for some people like Dad and Tata, it was a religious thing. That, I could get, sort of. But the other kids? Maybe they were just repeating what their parents told them. Maybe they were just weirded out because a bionsexual connects to the conscience and not to the body. I dunno, I got my contracep on my eleventh birthday like everybody else: Dad and Tata said to go nuts. And I could have, I suppose. But I just sort of… forgot.

I wished I could like organics, wanted to be like everyone else. I didn’t have anything against organics and I still don’t. It’s not like I hate people or anything. Or at least, I hope not. When I was little, some of my best friends were organics. By the time I was a teenager, there was a kind of distance there, but I still cared for them. It was weird. I could love an organic like they were my own family but not in any other way. Even then, I could not deny the allure of the synthetic. I could not resist the electric touch of Maya’s hand stroking my face, or the way the sunlight would catch in the golden wire of her hair.

I decided I didn’t care what Dad or the Imperatrix Sacra said after we had interfaced for the first time. We made sure we had the house to ourselves. It was important that we were connected face-to-face. It wasn’t safe to interface over the cyberweb. You never knew what pervs were watching and recording: this way, our brainwaves were our own. We were careful, we were cautious. We used a firewall. At school they had warned us of spontaneous virus transfer.

She brushed her fingertips against my temples: a slight tingling. I stared deep into her eyes and our breathing synchronised. The world fell away in ripples of colour and light, and we let go of all but each other.

I could feel anxiety emanating from her like ink-drops in water. In her eyes I saw mine widen in surprise. I don’t know why, but I hadn’t realised this was her first time too. Breathe. Just breathe. The tendrils receded. Reach. Touch. Never moving, we caressed in the twilight. Slowly, hesitantly, our very selves merged. This was communication beyond words, beyond skin on skin. We walked together in a dream, flew together over the Advanced Nations and joined the stars. Our consciences crackled and then roared as euphoric fusion. I lost myself in her, and she in me.

And then the greatest shock of all: to see myself as she saw me. Not with her eyes, but with her heart. How could I be so lovable?

At last we withdrew back into ourselves. Maya wiped my eyes. The decoupling was gentle, but it almost seemed the connection was lost before I knew it. Holding her against me, I understood. I had Maya, and she had me.

The rest was up to God.

 

© Julian Barr, 2018. Unauthorized use and/or duplication of this material without express and written permission from this site’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Julian Barr and jbarrauthor.wordpress.com with appropriate and specific direction to the original content.

Murder in the Mail

Salvete, readers!

Guess what? An interactive fiction project I wrote for a while ago has launched on Kickstarter! Check it out here.

When Felicity Banks, the editor of the project, approached me to work on it, I knew I had to take part. I had read and enjoyed her novel Heart of Brass, as well as her previous interactive fiction projects. I appreciate Felicity’s deep characterisation and attention to detail in constructing settings. When I read her work, I’m in the company of interesting characters, all with their own voices and personalities. More than that, though, her books are great fun, with a keen sense of adventure.

Murder in the Mail is an innovative way to tell a story. Basically, the story goes that a teenage girl is murdered at her own birthday party. One of her artist friends is the killer. Sounds like a typical Agatha Christie style murder mystery, right? The awesome part is the way the story is told. You get to play the role in the story as characters post things to you. Over the course of 8 weeks, subscribers receive letters, postcards and artworks in the mail from the characters, all of which contain clues to unlock the identity of Naomi’s killer. Each character’s letters are written by a different author, ensuring that the character voices remain distinct. And each character’s artwork is created by a different artist. It’s a great showcase of Australian talent.

My character? Oh, I write as Naomi, the girl who is murdered. I had a choice of parts, but I leapt at this one because I wanted to step outside my comfort zone and write in a voice totally different from anything I’ve tried before. I can’t say I’ve ever taken on the persona of a teenage girl. I had to dig deep to write for Naomi. It is one of the most emotionally raw things I’ve ever written. Here’s a portrait of Naomi by artist Shauna O’Meara. It was specifically commissioned for the project.

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It contains several clues and Easter Eggs which become apparent as you read through the story. And, um, if you look closely at the bookcase, you may spot a copy of my upcoming novel, Ashes of Olympus: The Way Home.

If you’d like to subscribe, the best way to do it is via the Kickstarter. The crowd-funding campaign will end in 26 days. If you pledge to the project, you will be supporting the work of numerous Australian artists and writers. Any amount is gratefully appreciated!

Until next time,

Valete

Writing lessons from the Epic of Gilgamesh

Salvete, readers!

I recently finished the first draft of The Black Unicorn, a middle-grade fantasy. The first draft will be up on Wattpad until the end of March, 2018. At this point, I’ll take it down and give it a good polish before I start submitting to publishers. In the meantime, I thought I’d let you in on a little secret. Though the story is heavily influenced by medieval and classical traditions, I actually went a lot further back for inspiration—all the way to ancient Sumer. In this blog post, I share how studying The Epic of Gilgamesh helped me to develop as a fantasy writer.

For a fantastic overview of the ancient poem and its relevance for modern readers, check out Louise Pryke’s excellent essay on The Conversation.

The Black Unicorn is the fifth book I’ve written, but only the second since completing Book 1 of the Ashes of Olympus trilogy, which is scheduled for publication in July. Writing a middle grade novel was simultaneously easier and more difficult. On the one hand, I feel a lot more confident in my craft and I think I have a stronger grasp on structure, dialogue, and world-building. I’m a lot more conscious about how and when to use different techniques. On the other hand, this was my first attempt at a heroic fantasy for middle grade readers, and that brought its own challenges. When you write middle grade fiction, you have only the most primal elements of story-telling in your tool kit. You don’t have the space to gloss any shortcomings of substance with style. I decided to embrace the primal elements of story-telling in The Black Unicorn by going back to The Epic of Gilgamesh for inspiration regarding the themes.

The Epic of Gilgamesh is the first recorded story in human history, so I figured it was a good blueprint for an archetypal narrative. The themes of the epic are as relevant today as they were millennia ago—relationships between humanity and the divine, the nature of mortality, the tension between nature and civilisation, and above all friendship. These themes pervade all my stories, but in The Black Unicorn I wanted to explore them through the eyes of a twelve-year-old girl. I see no reason the heroic archetype of the youthful warrior can’t be made to fit a female character, and honestly, I think we need more heroines in the world. At the heart of my story, as in Gilgamesh, is a relationship between two characters who start out as rivals and through a series of shared trials become friends. Though it takes place against a backdrop with a massive scope, that’s the essence of the novel.

Brevity is another virtue of Gilgamesh. The poem comprises only about 60 pages in the Penguin translation. But in that space our heroes travel across the world and learn lessons about life and death. Likewise, middle grade books are short. The Black Unicorn is only about 40,000 words. There’s no time for navel-gazing. The characters develop through actions and reactions to changes in their situation. That doesn’t mean there’s no room for character development of course. Heck, I would argue that growth and development are integral to any narrative focused on children. It just means there is very little time for introspection or excessive narration. The characters show us who they are and who they are becoming through their decisions. Dynamism is the key.

The Epic of Gilgamesh also embodies one of the core principles of world-building: show, don’t tell. If you read it, you’re plonked into another universe. Though it’s easy to sympathise with the characters, there is no point denying that the poem is the product of an alien world. It’s a dark, frightening place where existence is precarious and world-ending catastrophes are always just around the corner. But the text never stops to explain how its world works. The narrator takes it as a given that readers can pick up the story and run with it. Four thousand years ago, the reader needed no more explanation of the mechanics of sacrifice than we do on how to send a text message. For modern readers, though, the trick is to immerse yourself in the world and drink it in. And once you get the hang of the internal logic, the story makes perfect sense. This is an excellent principle, I think, for writing fantasy, particularly in a middle-grade novel where there is little room to pause for info-dump.

There’s a lot more I could say, and I’d love to revisit the question of what story-tellers can learn from the classics. But for now, my kids are tugging on my sleeve demanding I take them to the library.

Until next time,

Valete

Newsletter adventures

Salvete, readers!

Wow, it has been a little while since I last posted, hasn’t it? I’ve hit 2018 running, as ever. Guess what, though? I’ve got something exciting to share… I set up a free monthly newsletter for followers!

I’m really excited about this. The newsletter will be a great way to keep in touch and share cool free stuff with like-minded people. I can interact with readers in a more meaningful way via correspondence than social media. And I’ll be honest, the recent changes to the Facebook algorithm gave me the kick in the pants I needed to start a mailing list. There’s never any guarantee with Facebook that your posts will ever find your followers. Unless you pay a small fortune, of course. Likewise, interactions on Twitter are fun but fleeting. The good old-fashioned mailing list remains the most reliable and cost-effective way to get messages out to readers.

Right now, if you subscribe, you will get an exclusive prologue chapter for the Ashes of Olympus series, my upcoming historical fantasy based on Virgil’s Aeneid. This chapter won’t be included in the book. It’s an exclusive free gift to followers. You’ll also get a special glimpse at the blurb for the first Ashes of Olympus book! Huzzah! Over the coming months, I’ll give subscribers the first look at the development of the book. You’ll get the sneak peek at the cover and read the first extract before they’re released to the wilds of the internet. Over the next few months, I’m going to share with my subscribers the early sketches for some illustrations I’ve commissioned for the book, so you’ll also receive original artwork based on Virgil’s Aeneid. In the long term, I am going to update the newsletter about once a month with my writerly updates. It’ll be a hoot!

What you won’t get is spam. I might send out an announcement about releases of my books. But I won’t clog up your inbox with advertising. Nor will I give anybody your email address. That would be an awful thing to do, quite simply.

I hope you’ll join me in this wild ride up to launch day!

Here is the sign-up page!

Until next time,

Valete

PS. Don’t worry! I’ll still keep up the blog. Regular posts resume now.

2018: The Road Ahead

Salvete, readers!

Happy new year!

I’m a bit on the fence about new year’s resolutions. They never seem to work out, because they tend to be unrealistic. At the same time I’m also a big believer in having a clear sense of the path I’m on, so I do make concrete plans for the year ahead.

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In terms of my writing career, my ultimate goal is of course to reach the point where I can write full-time. But it takes a lot of work to get there, and that’s what this year is all about. So here is my list of writing and research priorities for the new year!

On the research front, I’m teaming up with classical archaeologist Dr Amelia Brown to co-write a really exciting academic book! Our project will feature the first translations of the early sources associated with St. Nicholas of Myra, along with a commentary. Yes, that St. Nick! For me, this all started when I went to do some research for an historical novel about St Nicholas, and then I was shocked to discover that most of the sources for his life hadn’t been translated from Greek. This is the first time research for my historical fiction has led me to produce original academic research. I’m looking forward to sharing what we discover.

In the world of commercial fiction, the Ashes of Olympus trilogy kicks off mid-2018 with the first instalment, The Way Home. I am gearing up to work with my editor and market the book. I’ve already contacted a few bookstores in my local area, and they seem interested in stocking it. Yay, Dymocks! Yay, indie bookstores! You guys are the best. I’ve also devised a pretty thorough plan to promote the book online and have set aside a budget for advertising and a book launch. Oh, the book launch! I’m looking forward to organising that, it’ll be so much fun. You’re all invited, of course! The more the merrier! And though I will be attending a few cons and such to promote it face-to-face, the bulk of the promo will take place online. Makes sense, as I’m working with a digital-first publisher. The strength of the story is probably the biggest factor in attracting readers, or so I’d like to think. People fall in love with your characters and your world. That’s why one of the keys to promoting the book online is a prequel short story, which I intend to release for free to all the major online retailers via Draft2Digital. Keep your eyes peeled!

I’m also going to start seeking a publisher for The Black Unicorn, my middle-grade fantasy in which Celtic myth meets steampunk. I had initially intended to publish it independently, but I’m taking the advice of a few people in the industry and seeking a traditional publisher before I go down that path. Finding readers is an uphill battle to begin with for an indie author, and just about impossible for children’s books. The market for children’s ebooks just doesn’t seem to exist. I’m really excited to start the next leg of my publication journey. And I have a feeling won’t be quite as tough to get published this time, because I have a foot in the door. I’m just about finished the first draft, which I have been serialising via Wattpad. The serial has been on hiatus over the Christmas period, but I look forward to continuing the updates next weekend. I’ve written loads which I haven’t yet shared. Once the serialisation is complete, I’ll probably leave it up for a month or so before taking it down and giving it a good polish.

But mostly, I am really looking forward to getting a copy printed and bound and giving it to my son for his birthday. Without him, the story wouldn’t exist. Even if it doesn’t get published, it will all be worthwhile to see the look on his face when he unwraps it.

After that, it’s time to get cracking on the next Ashes of Olympus, whose working title is The Ivory Gate. Guess what? I have about 60,000 words down on it already, so that will largely be a matter of refining what I’ve already got. I’ve got my work cut out for me. I’m looking forward to making my story the best it can be. After June, that’s probably where the bulk of the writerly work will go.

There are also a couple of projects which have been in the works for a long time, but which I haven’t discussed much online. Probably the most exciting for me is The Ravenglass Adventures, an audio drama series I’m co-writing with my friend Chris Spensley. It’s a pulpy sci-fi serial about a teenage space archaeologist named Philia Ravenglass. After some very helpful and encouraging notes from an experienced screenwriter, we’re doing a few tweaks to the pilot script. After that, we plan to record later in the year and release it for free as a podcast. We have assembled an amazing cast, and I can’t wait to share the story with you. Post-production will be a lengthy process, and we’re doing this in our spare time, so I cannot say yet when the show will be released, but you’ll be the first to know when it becomes available.

That’s about it, as far as the major projects go. At least, that’s as much as I can share for now. I do have a couple of little surprises up my sleeve… Short stories and interactive fiction and the like. Whew! It’s going to be a great year. It does seem like a lot, but much of it is bringing work to completion which has been in the pipeline for a while. Stay tuned.

Until next time,

Valete

Some very good news!

Salvete, readers!

As you may have seen on Facebook and Twitter, I have just signed a publishing contract for my debut novel with Odyssey Books. The Ashes of Olympus trilogy kicks off in 2018, both digitally and in print. It’s a YA historical fantasy based on Greek mythology, in which a band of refugees must face the wrath of the gods to find a way home.

I want to convey how thrilled I am to share this news, but words just won’t cut it. Instead, I’ll let my good friend Snoopy do the talking.

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This isn’t my first rodeo when it comes to publication, but still, it’s my debut novel. Academic publishing and commercial fiction are universes apart, and you can bet I’m going to make the most of the experience. Publishing fiction has been a dream of mine since the first grade, when I wrote a story about a boy who was transformed into a koala.

I look forward to sharing the adventure with you over the coming months. As we get closer to publication day, I’ll share the cover with you and tell you more about the story and what went into it.

I hope you’ll join me for the journey.

Until next time,

Valete

Bibliomancy

Bibliomancy was a form of divination which was popular in the Middle Ages. First, you picked up a sacred or significant text, like Homer or Virgil or the Bible. You laid the book on its spine, allowing it to fall open. Then you shut your eyes and picked a passage at random from the open page. This passage supposedly revealed something about your future.

When you try it these days there is a chance you’ll get stuck with the copyright page, which is very confusing. I suspect this is how many copyright lawyers found their start.

Going Indie

Salvete, readers!

I have something very exciting to share with you. You know that middle-grade novel I’ve been writing for my son? Well, I had a fit of madness/daring/recklessness and decided to serialise the work in progress online via Wattpad with a view towards indie publishing next year!

Serialising the work in progress will help to keep me motivated to finish the draft by the end of the year. I have a lot of other writing projects to tackle in 2018, one of which already has a publication deal — more on that later! But I’d like to have this one completed by Christmas. I’ve got two thirds of a draft, but I think I’m more likely to work faster if I’m laying track in front of a moving train. Also, I gain energy from having people read my work and especially love receiving useful feedback. Is it a bit scary to share the unfinished draft with the world? Absolutely. But Wattpad is the ideal medium for sharing work in progress, as nobody expects it to be in its final, polished state. Also, Wattpad is a great way to connect with a younger generation of readers. Better than a blog. Of course, it’ll be sharing space with a lot of fanfic, but that’s cool. If it’s okay for Margaret Atwood, it’s okay for me.

After the draft is finished, the manuscript will go through a few rounds of professional editing before I formally release it. I’ve learned a lot from indie publishing guru Susan K. Quinn over the last twelve months. The biggest lesson is that an author needs to be clear as to whether they are writing/publishing for love or money. In the case of The Black Unicorn, I’m definitely writing for love. My main motivation is to produce a thrilling story for my kids. This is a very personal project. And this will also be a learning experience for me. I’ve long been curious about indie publishing as a vehicle to empower authors, and I’ve spent a lot of time researching the ins and outs of the indie world. Still, there’s only so much you can learn from research. Sometimes you need to experience something before you really get it. I’m not necessarily trying to make money from this first novel, but to facilitate my personal growth as an author. It’s a new challenge, and one which I embrace whole-heartedly.

It’s also a wee bit terrifying, but fortune favours the bold, right?

This doesn’t mean I’m giving up on traditional publishing, either. I’m aiming to be a ‘hybrid’ author with a foot in both the indie and traditional publishing camps. Sometimes authors go indie out of frustration or anger with the publishing industry. That’s not me. How can I be mad at an industry that does so much good for the world? An industry is made of people, after all, and publishing is full of people who dedicate their lives to books. That said, the industry as a whole is going through a period of disruption like never before. It is likely that in future authors will need to demonstrate they can achieve indie success before the traditional industry will take them seriously. Even in the world of traditional publishing, authors are increasingly being relied upon to promote their own work. So I’d like to think that I can apply whatever lessons I learn in the indie world to the traditional publishing world, if and when the time comes. Indie and trad can play complementary roles, can’t they?

I’ll make an official announcement about the Wattpad project over the next couple of days. In the meantime, if you’d like a sneak-peak at the amazing front cover, pop on over to my author page on Facebook…

Until next time,

Valete