Dear Twenty-Year-Old Me

Dear Twenty-year-old Me,

Right now, I’ve just turned thirty. Everyone assures me this is a huge milestone. Folks these days talk about turning thirty the way they used to talk about turning twenty-one. Apparently this is when real adulthood begins—when you settle down, get serious about your career, start a family. It sometimes seems like my generation spent its twenties lounging on the couch watching Spongebob and washing down fruit loops with vodka. That’s not going to be you. Sorry. In terms of life achievements, you’re going to pole-vault right over your twenties and land square in your thirties. It won’t be long now before you’re married and have two little people in your life who will argue with you on the correct way to use a lavatory.

And you know what? It’s going to be awesome. Your kids will teach you to see the world through new eyes, to appreciate just how amazing life can be. You’re going to read them Narnia and Roald Dahl, and they’ll applaud when you do the funny voices. Don’t misunderstand me, it won’t be easy—basically, you’re going to get signed up for a fulltime job where you are on call twenty-four hours a day, get no sick leave and no holidays. Sometimes, when the kids wake you up at four in the morning because they can’t find their damned Pokémon cards, it’ll feel like this will never end. But you’re doing something amazing—building a life together, teaching and nurturing them to become the best they can be. You wouldn’t trade the feeling of having your children fall asleep on your chest for anything.

Right now, at twenty, you’re working two jobs to get yourself through uni. You didn’t achieve stellar academic results in your first year, and you wonder whether it’s really worth it, especially when all you want to be is a writer. Don’t worry—you’re going to start hitting your academic goals in second year. Uni is a learning curve, so don’t beat yourself up. Your parents assure you that an Arts degree is going to be your ticket to stability in life. Don’t hold that against them. Mum and Dad are just passing on the wisdom of their generation. They didn’t realise that they came of age in the heyday of the liberal arts, and they couldn’t have known. Don’t fret about the value of an Arts degree. In about eighteen months, this thing called the Global Financial Crisis is going to happen, and it will mean the end of stability for your generation, regardless of what you study. Economic neo-liberalism will come to be taken for common sense, and most of the jobs will be casualised. It sucks, but you’ll make the best of it. Getting out of poverty is going to be an incremental process, and it isn’t going to be because of your education so much as your willingness to work hard and take opportunities as they come along. In this, you will be no different from anybody else.

But, um, if you want to invest in these things called Facebook and Twitter, I wouldn’t object.

At one point, after finishing the PhD, you’re going to convince yourself that being a school teacher is the best and only use of your knowledge and skills. The bad news? This is going to be the biggest mistake of your twenties. The good news? This is going to be the biggest mistake of your twenties. Anybody who can make it in the secondary education system will forever have your respect and admiration, but a job which involves reprimanding kids about their socks isn’t for you. Luckily, it’ll turn out that you’re good at other things too, and you learned a lot from your experience working in schools.

Oh, and that ambition to become a writer? It’s going to happen, but not until you figure out why you’re doing this. You’ll turn your PhD thesis into a book and advance human knowledge by a micron or two. Go you, but remember it’s not the Nobel Prize. The real test is whether your research is going to make a difference in people’s lives and have an impact upon the world. Let’s see what happens there, eh? The greatest thing you’ll gain from your education is comprehension of how little you really understand, and how much of the world there is to see.

It’s much better than it sounds right now.

I also happen to know you’re working on a novel. You’re far too scared to show it to anybody, but you’re convinced it’ll be the next blockbuster. Hate to say it, Twenty-year-old Me, but the one attitude cancels out the other. And it’s not going to be a bestseller, and that’s fine. That poor, unfortunate, half-formed novel is going to be valuable as a learning experience. You’ll gain the confidence to experiment with language, hone your storytelling ability. Most of all, you’ll learn how far you’ve got to go. Don’t be downhearted.

You’ll apply what you learned from your first attempt when you put pen to paper on your next novel. In hospital on the day your son is born, you’ll start scratching out a first chapter while your wife sleeps. You’ll keep scratching at it until it becomes a first draft. By the time you get to draft four, you’ll show it to other writers, and learn how to deal with criticism—both constructive and otherwise. Eventually you will tally of your drafts and feel like a gunslinger notching his rifle. At writing conferences, you will make like-minded friends who want your story to succeed just as much as you do and give you thorough critiques. It’ll be strange and a little intimidating, but you will repay the favour in kind. That’s how it works in the writerly world. With every stroke of the red pen, you become stronger as an author.

And on the bestseller thing? Sorry, Twenty-year-old Julian, you’ve got it wrong. As much as you might love JK Rowling’s work and hope to walk in her footsteps, her career is the exception rather than the rule. And Rowling didn’t write with the intention of becoming a bestselling author. She had a story which she wanted to share with the world. C.S. Lewis once said that we read to know we’re not alone. The flip side, of course, is that we write to reach out to others. It shouldn’t just be about selling books. It’s about contributing something to the community, giving people something to enrich their lives. Achieving sales matters far less than reaching the people who need your story.

By the way, it won’t be long now before you see second-hand bookstores flooded with unwanted copies of this these books called The Da Vinci Code, Twilight and Fifty Shades of Grey. Learn well from this: you can sell a story to millions and reach nobody. Far better, I think, to reach a few to whom your story means a lot.

Over and over, you’re going to be absolutely bamboozled by the human instinct to tear each other down over differences. You’ll figure out over the next ten years or so that story is the answer: to have the courage to speak, and to listen. Story brings people together, binds us. Sort of like the Force.

Also, right at the tail end of your twenties, Disney is going to purchase Star Wars and release the sequel trilogy, and—don’t look at me like that, it’ll be loads better than you expect. Remember when Disney started making Marvel movies? Oh wait, that hasn’t happened yet. Disregard.

Read, Past Me. Read stories from as many different perspectives as possible. I know you love fantasy and historical and science fiction, and that’s cool, but even within those genres there’s a lot more diversity than you choose to see right now. You’ll go through periods where you choose to read only novels written by women, or by people of colour. The ones by women of colour will teach you the most! As you discover more stories grounded in the here and now, you will find the world is more fantastic than you ever realised. Hear other people’s stories, the stories of strangers you meet in the streets. When you develop the capacity for patience, you will discover every human being is on their own hero’s journey. Learn how complicated and wonderful and strange the world is, and be willing to acknowledge the limitations of your understanding. That is the first step toward growth.

Just a couple more messages, Twenty-year-old Me. Over the next decade, you’ll start to learn how to take care of yourself. I don’t just mean how to pick out your own clothes and cook your own meals. When you’re there for people, you throw yourself into their wellbeing and care for them with your whole heart. And that’s good, that’s fine, that’s a part of who you are. But sometimes you’re going to get hurt, and sometimes you’re going to get exhausted. Once in a while, your caring will get thrown in your face. A handful of others will care for you as much as you do them. Nourish these relationships, but be mindful of your own needs also. It’s true that love is not a finite resource, but time and energy are. Don’t waste them on people who treat you as though you’re a complication in their life story.

In the end, there’s going to be one person who sticks by your side, and she is the love of your life. Right now, Twenty-year-old Me, you’re thinking about asking Kelly to marry you. There’s plenty of folks who will tell you it’s a mistake. Don’t listen to them. Getting married is the best thing you’ll ever do. Cherish Kelly, adore her and love her with all your silly heart. That’s what’s important. You already know it, I think, though you don’t quite know what it means yet.

I’ll close with a timey-whimey wibbly wobbly quote from your future and my past: ‘We’re all stories, in the end. Just make it a good one, eh?’

Until next time, vale.

Thirty-year-old Julian

Becoming an independent scholar and lovable rogue

Salvete, readers!

Normally I post a brief summary of writerly achievements for the week as an accountability exercise, but this has been an unusual week which has given me pause to reflect on where I am as an author and scholar.

Last week, my post-thesis fellowship at my alma mater came to an end. That’s okay. The fellowship served its purpose. The primary intention behind this scheme is to give freshly-minted PhDs the resources they need to publish their doctoral research, and I have achieved that with the release of my book. The difficulty comes in continuing to research afterward. It’s particularly tough as I have several irons in the fire in terms of publications and no longer have full library access at my old institution. This is not an uncommon story for recent PhD graduates, I’m afraid. Unless you are one of the lucky few who lands an academic position quickly, life after PhD can be very tough indeed. I find myself without a formal academic affiliation for the first time since I started my undergrad degree.

But I’m not giving up just yet. Flexibility and adaptability are keys to success.

Long ago, I saw the necessity of building up my career prospects in the world outside academia. The chances of getting a permanent position within academia are pretty dire, particularly in the humanities. Universities churn out far more PhDs these days than there are academic positions available. Once upon a time, I envisioned myself becoming a tenured professor. Yet now that I’m a little more experienced and have responsibilities as a family man, I think staking my future solely upon my academic prospects is a bit like planning to become a rock star. It’s not impossible, but unlikely. A handful of my former classmates have pulled it off, and they are amazing. On the other hand, I’ve also seen people toil in academia for years after achieving the PhD, eking out a meagre existence in the hope that a proper academic job is just around the corner. These are brilliant, talented, and highly skilled people. And yet one can do a lot of things with a PhD in the Humanities outside of academia—it just requires a bit of imagination and a lot of energy, just like with everything else. You don’t have to be an academic drifter if you don’t want to be.

Over the last couple of years, I’ve managed to carve out a niche for myself in the world of curriculum design and support, using my knowledge and skills in unexpected ways. Since finishing the PhD, I’ve moved on to become a professional member of staff at another university. One of the privileges of my position is that I have full library membership. This means access to databases, journals and books. If my new institution doesn’t have a resource, I can request it through an inter-library loan. In other words, I still have resources to continue my scholarly writing career, even if my career is unconventional. I’m very grateful to have this opportunity, and I’m going to make the most of it. This isn’t the end of my relationship with my former institution, either. I maintain ties of friendship with my old faculty, and am still co-authoring a book with one of its members.

A few days ago I had a very productive meeting with a commissioning editor at a major academic publisher. We discussed ideas for future books. All of them are absolutely feasible even without a formal academic position.

So there you have it, folks! For the time being, I’m an independent scholar and lovable rogue.

Until next time,

Valete

The power of historical storytelling. And sock puppets.

The best place to start is the beginning, unless you’re Homer.

I first fell in love with all things Greek and Roman when I was about eight years old, sitting on the couch with my mum watching the BBC’s wonderful series I, Claudius. The sets might have been shaky, but even to my prepubescent mind the writing was solid. The story had everything: swords and sandals, poisoned mushrooms, Patrick Stewart in a toupee! Thank goodness Mum didn’t stop to consider whether the bloody saga of the Roman imperial family was age-appropriate. My immediate reaction, of course, was to stage my own version of I, Claudius with sock puppets for my third-grade classmates. For the most part, my long-suffering teacher managed to contain her bemusement. The kids cheered, and that’s what counted. Ever since, I’ve been convinced that story-telling is the most powerful means to bring the world of the ancients to life for today’s generation.

At the University of Queensland I leapt into studies of antiquity, striving to master Greek and Latin while working at the R.D. Milns Antiquities Museum. You can still find my favourite artefact there. Just a simple clay jug, nothing fancy, but centuries ago somebody picked it up while the clay was still wet. The fingerprints remain visible even today. In the epic poetry of Homer and Vergil I discovered the power of language to sweep readers into the world of gods and magic. Eventually, my doctoral research led me to travels in Europe. Snowflakes swirled all around as I stood in the broken remains of a Roman amphitheatre. Wandering through the ancient ruins, I knew the myths had cast their spell on me. And they have never let go.

After finishing my PhD, I did a brief stint as a high school teacher, hated being called ‘sir,’ and dived into academic and creative writing. I was fortunate enough to achieve a research fellowship at my alma mater. Still, I prefer to call myself an itinerant bard. My first academic book, Tertullian and the Unborn Child, is due to be released by Routledge on 3 March, 2017. I’ve also written a YA historical novel, the first of a trilogy based on Vergil’s Aeneid. The title is Ashes of Olympus: The Way Home. Although I remain open to the possibilities of sock puppet theatre as a story-telling medium, historical fantasy is my passion.

Over the coming weeks, I’ll share a bit more about my research, writing, and current projects. Until then, vale.